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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">nsktvs</journal-id><journal-title-group><journal-title xml:lang="ru">Творчество и современность</journal-title><trans-title-group xml:lang="en"><trans-title>Creativity and Modernity</trans-title></trans-title-group></journal-title-group><issn pub-type="epub">2542-1352</issn><publisher><publisher-name>Новосибирский государственный университет архитектуры, дизайна и искусств имени А.Д. Крячкова</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.37909/2542-1352-2026-1-1007</article-id><article-id custom-type="elpub" pub-id-type="custom">nsktvs-168</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Дизайн</subject></subj-group></article-categories><title-group><article-title>Китайское лаковое искусство. История и тенденции развития в дизайне</article-title><trans-title-group xml:lang="en"><trans-title>Chinese Lacquer Art. History and Design Trends</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Чжан</surname><given-names>Лин</given-names></name><name name-style="western" xml:lang="en"><surname>Zhang</surname><given-names>L.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Лин Чжан, Магистрант</p></bio><bio xml:lang="en"><p>Lin Zhang, Master Student</p></bio><email xlink:type="simple">249595092@qq.com</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0003-1202-2023</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Таубе</surname><given-names>М. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Taube</surname><given-names>M.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Марика Таубе, Доцент</p></bio><bio xml:lang="en"><p>Marika Taube, Associate Professor</p></bio><email xlink:type="simple">m.taube@nsuada.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова</institution></aff><aff xml:lang="en"><institution>Kryachkov Novosibirsk State University of Architecture, Design and Arts</institution></aff></aff-alternatives><pub-date pub-type="collection"><year>2026</year></pub-date><pub-date pub-type="epub"><day>25</day><month>04</month><year>2026</year></pub-date><volume>0</volume><issue>1</issue><elocation-id>49–55</elocation-id><permissions><copyright-statement>Copyright &amp;#x00A9; Чжан Л., Таубе М.В., 2026</copyright-statement><copyright-year>2026</copyright-year><copyright-holder xml:lang="ru">Чжан Л., Таубе М.В.</copyright-holder><copyright-holder xml:lang="en">Zhang L., Taube M.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.nsktvs.ru/jour/article/view/168">https://www.nsktvs.ru/jour/article/view/168</self-uri><abstract><p>Глокализация объектов дизайна связана в том числе с использованием традиционного декоративно-прикладного искусства. Как уникальное традиционное ремесло, китайское лаковое искусство имеет более, чем 8000 лет истории. Его развитие отражает не только наследование, но и инновации, а также социальные и культурные изменения. Его древнее происхождение, процветание, его пика в династии Мин и Цин создали огромный фундамент культурного наследия, а его упадок — лишь один из этапов развития, так как лаковое искусство возрождается в современной цифровой эпохе. Изделия лакового искусства служат как образцами современного ремесла, так и дизайна, создавая новый материальный контекст не только Китая.</p></abstract><trans-abstract xml:lang="en"><p>Glocalization of design objects is associated, among other things, with the use of traditional decorative and applied art. As a unique traditional craft, Chinese lacquer art has more than 8000 years of history. Its development reflects not only inheritance, but also innovation, as well as social and cultural changes. Its ancient origins, prosperity, and peak in the Ming and Qing dynasties have created a huge foundation of cultural heritage, and its decline is just one of the stages of development as lacquer art is reborn in the modern digital age. Lacquer art products serve as examples of modern craft and design, creating a new material context not only in China.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>лаковое искусство</kwd><kwd>Китай</kwd><kwd>традиционные ремесла</kwd><kwd>дизайн</kwd><kwd>культурное наследие</kwd><kwd>материальная культура</kwd><kwd>глокализация</kwd></kwd-group><kwd-group xml:lang="en"><kwd>lacquer art</kwd><kwd>China</kwd><kwd>traditional crafts</kwd><kwd>design</kwd><kwd>cultural heritage</kwd><kwd>material culture</kwd><kwd>glocalization</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Ван Лина. Исторические истоки и развитие лакового искусства. 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