Preview

Creativity and Modernity

Advanced search

The Visual Embodiment of the Theatre Collection of Costumes Based on M.A. Bulgakov's Novel “Master And Margarita”

https://doi.org/10.37909/2542-1352-2025-4-4001

Abstract

This work is devoted to the collection of theatre costumes design based on M.A. Bulgakov's novel «Master and Margarita». It used in work the own method of transforming literary images and symbols of the novel into visual concepts of stage costume. This approach includes an analysis of the key motives of the novel, an analysis of the characters in terms of a quotation description of their characters and costumes, as well as the dynamics of their changes throughout the work. It interprets them in terms of artistic and symbolic meanings, as well as creating images based on interdisciplinary methods.
The result of this work was the creation of the theatre collection of clothing that can be used in everyday life. The collection successfully reflects the philosophical and mystical context of the novel, which expands the possibilities of using literary works in scenic and fashion design. The work contributes to the development of visual design methods in the field of stage costume, combining theoretical and practical approaches.

About the Authors

A. Verkhoturova
The Kosygin State University of Russia
Russian Federation

Anna Verkhoturova, Master Student



E. Dolmatova
Kryachkov Novosibirsk State University of Architecture, Design and Arts
Russian Federation

Science Advisor

Evgenia Dolmatova, Head of Department



References

1. Bulgakov, M. The Master and Margarita: A Novel, Moscow, Martin, 2022.

2. Verkhoturova, A. Development of a clothing collection based on the novel by M.A. Bulgakov "The Master and Margarita": direction 54.03.01 "Design": Bachelor's final qualifying work, Novosibirsk State University of Architecture, Design and Arts named after A.D. Kryachkov, 2024.

3. Pastoureau, M. Yellow. History of Color, Moscow, Novoye Literary Observer, 2023.

4. Pastoureau, M. Red. History of Color, Moscow, Novoye Literary Observer, 2023.

5. Pastoureau M. Black. History of Color, Moscow, Novoye Literary Observer, 2024.

6. Makarova E., Agureeva E. Theatrical Costume and Accessories as One of the Ways to Form the External Image of the Theater: Methodological Recommendations to Assist Directors of Drama Companies, Tambov Regional State Budgetary Institution of Culture "Scientific and Methodological Center for Folk Art and Leisure", 2017.

7. Khafizov D. From Spectator to Reader: Screening of a Book as a Means of Shaping Reading Fashion Among the Youth, Bulletin of Culture and Arts, 2017, No. 3 (51).

8. Shcherbakova M., Zaretskaya G., Usenova S., Eremychev A. The main stages of the development of a theatrical and stage costume, The Scientific Heritage, 2021, No. 69-1.


Review

For citations:


Verkhoturova A., Dolmatova E. The Visual Embodiment of the Theatre Collection of Costumes Based on M.A. Bulgakov's Novel “Master And Margarita”. Creativity and Modernity. 2025;(4):4–12. (In Russ.) https://doi.org/10.37909/2542-1352-2025-4-4001

Views: 50

JATS XML


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2542-1352 (Online)