The Hierarchical System and Its Decorative Embodiment in the Interior Textiles of Beijing Palaces of the Ming and Qing Eras

This paper explores the hierarchy and decorative art of Ming and Qing dynasty Beijing court textiles. Through analysis and discussion of historical documents, physical remains, and related research, this paper reveals how court textiles reflected the strict hierarchy of "high and low, rich and poor" through materials, craftsmanship, colors, patterns, and occasions of use. Furthermore, this paper examines the decorative artistic characteristics of Ming and Qing court textiles from an artistic perspective. By analyzing the structural foundations of the hierarchy, the textile usage norms of different social groups, the similarities and differences between textiles of different classes, and the pattern design and color matching, this paper reveals the unique form, function, and cultural connotations of these textiles. This research demonstrates that Ming and Qing court textiles were not only practical objects and decorative elements but also carriers of power and ritual. Their hierarchical norms and artistic expressions fully reflect the characteristics and aesthetic orientations of Ming and Qing court culture, and profoundly reflect the social structure and cultural values of the time. The study of these textiles provides a deeper understanding of the complexity and diversity of ancient Chinese society. This research provides valuable insights into the ritual system, material culture, and decorative art of the Ming and Qing courts.

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