Landscape painting by Chinese writers in a cross-cultural perspective: artistic features and philosophical meaning.

Abstract

The article is devoted to the study of the prospects for a new cross-cultural understanding of the artistic features and philosophical meaning of the painting of Chinese writers in order to preserve and popularize the cultural value of its heritage. The results of the analysis of the means of expressiveness of Chinese landscape painting are interpreted in a philosophical context, through the introduction into scientific circulation of the dichotomy of “real and imaginary” as the most important specifiers of the creative method of this unique phenomenon of world artistic culture. In conclusion, the author's hypothesis of four-dimensional communication is presented as a theoretical model of cross-cultural perception of visual imagery and comprehension of the philosophical concept of Taoism in the painting of Chinese writers.